Just before dusk he reached a tall spur of obsidian that reared up into the tinted cerise sky like the spire of a ruined church, climbed up among its jutting cornices and looked out across the intervening two or three miles of dunes to the perimeter. Illuminated by the last light, the metal grilles shone with a roseate glow like fairy portcullises on the edge of an enchanted sea. At least half a mile of the fence had been completed, and as he watched another of the giant prefabricated sections was cantilevered into the air and staked to the ground. Already the eastern horizon was cut off by the encroaching fence, the enclosed Martian sand like the gravel scattered at the bottom of a cage. Perched on the spur, Bridgman felt a warning tremor of pain in his calf. He leapt down in a flurry of dust, without looking back made off among the dunes and reefs. Later, as the last baroque whorls of the sunset faded below the horizon, he waited on the roof for Travis and Louise Woodward, peering impatiently into the empty moon-filled streets.
The German artist's so-called "digital psychedelic journey" infuses sterling classical and jazz forms with trippy, tuneful synth melodies. Bandcamp New & Notable May 5, 2024
UK percussionist and producer Tom Buford contrasts minimalist electronic experiments with vast soundscapes shaped by classical and jazz. Bandcamp New & Notable May 2, 2024
The excellent Barcelona label House of (S)PUNK is back with a five-song comp showcasing the local hardgroove scene. Bandcamp New & Notable May 1, 2024