Bridgman watched the vehicle reverse slowly, its engine barely varying its deep bass growl, then move off along the line of hotels, almost indistinguishable in profile among the shifting dunes and hillocks. A hundred yards away, at the first intersection, it turned towards the main boulevard, wisps of dust streaming from the metal cleats like thin spumes of steam. The men in the observation bridge were still watching the hotel. Bridgman was certain that they had seen a reflected glimmer of light, or perhaps some movement of Louise Woodward’s on the roof. However reluctant to leave the car and be contaminated by the poisonous dust, the wardens would not hesitate if the capture of one of the beachcombers warranted it. Racing up the staircase, Bridgman made his way to the roof, crouching below the windows that overlooked the boulevard. Like a huge crab, the sand-car had parked under the jutting overhang of the big department store opposite. Once fifty feet from the ground, the concrete lip was now separated from it by little more than six or seven feet, and the sand-car was hidden in the shadows below it, engine silent. A single movement in a window, or the unexpected return of Travis, and the wardens would spring from the hatchways, their long-handled nets and lassos pinioning them around the necks and ankles. Bridgman remembered one beachcomber he had seen flushed from his motel hideout and carried off like a huge twitching spider at the center of a black rubber web, the wardens with their averted faces and masked mouths like devils in an abstract ballet.
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